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A reporter finds Tate, a young movie star hiding out in Greenfield. Who leaked Tate’s whereabouts?
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The storybook of Star Wars I: The Phantom Menace is filled with photography from the movie. The book is written at about a 4th grade reading level and is a favorite classroom library book for grades 2nd to 4th and makes a nice Star Wars collectable as well.
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With its sharp focus on stardom during the 1920s, Idols of Modernity reveals strong connections and dissonances in matters of storytelling and performance that can be traced both backward and forward, across Europe, Asia, and the United States, from the silent era into the emergence of sound.
Bringing together the best new work on cinema and stardom in the 1920s, this illustrated collection showcases the range of complex social, institutional, and aesthetic issues at work in American cinema of this time. Attentive to stardom as an ensemble of texts, contexts, and social phenomena stretching beyond the cinema, major scholars provide careful analysis of the careers of both well-known and now forgotten stars of the silent and early sound era–Douglas Fairbanks, Buster Keaton, the Talmadge sisters, Rudolph Valentino, Gloria Swanson, Clara Bow, Colleen Moore, Greta Garbo, Anna May Wong, Emil Jannings, Al Jolson, Ernest Morrison, Noble Johnson, Evelyn Preer, Lincoln Perry, and Marie Dressler.
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Art Gelien was just a kid when an agent asked him if he wanted to be in movies. Blessed with extraordinary good looks and enough smarts to know that he had a lot to learn, that kid said yes. Rechristened Tab Hunter, he was launched on a journey that carried him to stardom. First he became a pin-up favorite of teenage girls worldwide and then a number one box-office star; then he recorded a song called “Young Love” that knocked Elvis Presley off the top of the charts—and all the time he had to keep secret the fact that he was gay.
In Tab Hunter Confidential, written with Eddie Muller, Hunter looks back on a life lived without apologies and a career that soared, then crashed, and then later—thanks to popular cult-film auteur John Waters—enjoyed a revival. It is a true Hollywood story, told with humor and insight. With very little hedging, great good humor, and no pretentiousness, Tab Hunter Confidential delivers the straight story on how a young, gorgeous kid named Art Gelien, child of an absent father and a repressed, platitude-spouting mother, suddenly became a teen hearthrob, known as “The Sigh Guy.” Tab Hunter was, in the 1950s, one of the reigning hunks, every teenage girl’s dreamboat. He dated Debbie Reynolds and other starlets, did countless interviews about the kind of girl he would marry and, through it all, kept his private life very private. Tab Hunter was gay before gay meant anything other than joyful exuberance.
Henry Willson, famous and infamous agent and creator of stars, named Tab Hunter. He also tagged Rock Hudson, Rory Calhoun, and other young sex symbols. Not all of them were gay, but they came to be known as Harry Willson’s boys. (Another book about this time and subject is The Man Who Invented Rock Hudson: The Pretty Boys and Dirty Deals of Henry Willson by Robert Hofler.) Tab Hunter was completely manufactured. He even speaks of himself in the third person in the book.
Before he was 26, Hunter had hit the trifecta: he was a movie star, had a hit single in “Young Love,” and was on the first live production of Playhouse 90 on television. His future success looked assured, but such was not the case. It was either feast of famine for the next few years. He was never a solid A-list leading man, but had his share of famous co-stars and leading ladies nevertheless.
While he was struggling with his true identity and trying to stay afloat financially, his mother had a complete breakdown and he was forced to hospitalize her in less than ideal conditions. This also had to be a secret from the fans. His friendships, both intimate and platonic, kept him going, as well as his deep faith in Catholicism. Yes, Catholicism. Tab Hunter has his own unique pact with God.
The book is filled with many pictures of Tab and his friends and with anecdotes about the stars: Tallulah Bankhead on her last legs, fuzzy and outrageous; Linda Darnell’s kindness; John Wayne’s macho strutting; Fred Astaire’s humility; Van Heflin’s professionalism, and on and on. This is sheer heaven for any movie fan. His relationship with Tony Perkins is noted, as is his liaison with Olympic figure skater Ronnie Robertson. (Tab, in addition to being an actor, singer and horseman was also an accomplished figure skater.) When the good parts disappeared after he left Warner Brothers, he went on tour with the Everly Brothers. Much later, now fully “out” he joined Divine in two John Waters movies: Polyester and Lust in the Dust, both cult classics. After suffering a stroke and a heart attack, he is now enjoying life in Santa Barbara with his longtime companion, Allan Glaser. As Tab succinctly puts it regarding his story: “Better to get it from the horse’s mouth, I decided, and not from some horse’s ass.” –Valerie Ryan
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26-year-old Claire Reilly is on top of her game as one of the youngest celebrity reporters and editors in the business. At Mod magazine, she is a consummate professional, interviewing dreamy Hollywood hunks and staying on top of every story. Unfortunately, her live-in boyfriend seems intent on setting the world+s record for celibacy, yet she finds herself penning articles like -Ten Reasons You Should Have a One-Night Stand.+ When Claire lands the plum assignment of interviewing Cole Brannon, Hollywood+s #1 hottie, she knows better than to mix business with pleasure, but the next morning, she finds herself in Cole+s bed…without her clothes. After the tabloids pick up the story, Claire+s life is turned upside down. In struggling to regain her reputation, she+ll learn a great deal about herself…and that you shouldn+t always believe everything you read.
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“Are you willing to settle for an ordinary life?or do you think you were meant for something better? something special?”
One grew up in the cornfields of Iowa, fighting for his independence,for a way out of a life that promised only indifference, aimlessness,and obscurity.
“You will forever be a child of two worlds, capable of choosing your own destiny. the only question you face is, which path will you choose?”
The other grew up on the jagged cliffs of the harsh Vulcan desert, fighting for acceptance, for a way to reconcile the logic he was taught with the emotions he felt.
In the far reaches of the galaxy, a machine of war bursts into existence in a place and time it was never meant to be. On a mission of retribution for the destruction of his planet, its half-mad captain seeks the death of every intelligent being, and the annihilation of every civilized world.
Kirk and Spock, two completely different and unyielding personalities, must find a way to lead the only crew, aboard the only ship, that canstop him.
“The wait is over.”Book Description
“Are you willing to settle for an ordinary life? Or do you think you were meant for something better? Something special?”
One grew up in the cornfields of Iowa, fighting for his independence, for a way out of a life that promised only indifference, aimlessness and obscurity.
“You will forever be a child of two worlds, capable of choosing your own destiny. The only question you face is, which path will you chose?”
The other grew up on the jagged cliffs of the harsh Vulcan desert, fighting for acceptance, for a way to reconcile the logic he was taught with the emotions he felt.
In the far reaches of the galaxy, a machine of war bursts into existence in a place and time it was never meant to be. On a mission of retribution for the destruction of his planet, its half-mad captain seeks the death of every intelligent being, and the annihilation of every civilized world.
Kirk and Spock, two completely different and unyielding personalities must find a way to lead the only crew, aboard the only ship, that can stop him.
“The wait is over.”
Look Inside the Motion Picture Star Trek (Paramount Pictures, 2009)
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List Price: $ 16.99
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As entertaining and funny as it is informative and insightful, Make Your Own Damn Movie! places Kaufman’s radically low-budget, independent-studio style of filmaking directly in the reader’s hands. Thus we learn how to: develop and write a knock-out screenplay; raise funding; find locations and cast actors; hire a crew; obtain equipment, permits, and music rights (all for little or no money); make incredible special effects for .79 each; charm, schmooze, and network while on the film-festival circuit; and, finally, make a bad actor act so bad it’s actually good.
From scriptwriting and directing to financing and marketing, this book is brimming with utterly off-the-wall, decidedly maverick, yet consistently proven advice on how to fully develop one’s idea for an independent film.
